WE BELIEVE IT’S ABOUT MORE THAN US
We are here to capture what God is doing in our local church to inspire the global Church & reflect Jesus to the world
“Let your light shine before others, that they may see your good deeds & glorify your Father in heaven.” Matthew 5:16
EVERY WEEKEND/EVENT CAPTURE
+ 4 shots of worship
+ 3 shots of worship team / band
+ 3 shots of people worshipping (hands in the air, etc)
+ 4 wide shots of the room
+ 3 shots of preaching (3 close ups / 3 wide)
+ 2 shots of MC (1 close / 1 wide)
+ 2 shots of baptisms (actual baptism or behind the scenes)
+ 4 shots of Kids Ministry
+ 6 shots of what the team caught (car park, hosts, prayer meetings, rally)
+ 2 shots of dream team (serving, engaging guests)
+ 4 shots of behind the scenes (production team, guest services, etc)
• Wear all black or dark clothing & close-toed shoes at all times
• Charge your batteries (as needed)
• Label your gear & take your belongings when you leave
• Always shoot in RAW & color
• Set the author/owner on your camera to your full name
• Set your camera to local time
• Pray for salvations & HAVE FUN!
• NO flash photography inside
• NO shutter beeps (turn off setting on your camera)
• If possible, please put your camera on silent mode.
• Basically, we need you to be a Ninja:-)
+ Arrive at church for all team Rally (Sat 500p, Sun 800a)
+ Check in with Producer in the control room
+ Grab a Production Pass
+ Worship/Production team huddle in Green room (Sat 520, Sunday Morning 820)
Teams go over the details of the run sheet, would be beneficial for photography team members to know if there are special moments in the service that would need to be captured
+ Set Proper White Balance
VV, EB auditorium color temp: 5600k
NA, RV auditorium color temp: 2800k
+ Take Photos
+ Edit Photos in Lightroom or Photos app
TFH photos must have a consistent look, do not over-stylize or unsaturated photos as your only submission. If your edits are stylized, also submit natural looking edits of the same photo.
+ Apply lens profile correction
+ Upload ASAP after service
PHOTOS WE LIKE
PHOTOS WE LIKE
Click on the photos below to see exif info on camera, lens, iso, shutter, iris.
ATTRIBUTES TO CONSIDER
+ Shooting Angles
+ Artistic Perspective
+ Dynamic Shots
+ Natural Lighting
+ Telling Story
+ Open Space
+ Capture the best in people and the venue
+ Include TFH campus specific environmental details
+ Get creative, but not abstract
+ Capture the unique personality of our pastors
+ Keep production pass visible
+ Steer clear of the production camera crew
+ Respect other photographers and teams
+ Get the shot, but don't distract
+ Be mindful of first time guests
+ Respect the individual worship experience
How do I decide my next shot and where do I need to be to get it?
Know the program & venue. The first two songs of worship are usually fast and energetic songs. Making educated guesses based on your knowledge of the program and the venue can mean the difference between mediocre photos and a fantastic ones.
Check out past photos. Looking at past photos on Hillsong sites, such as Facebook pages and Hillsong Live site, will give you an idea of the shooting conditions, lighting design and even the behaviour of your subject. Once armed with this information, you can go in with an idea of what photographs to take and where you need to be to take them.
Stay open-minded. Even if you go in with a well-informed plan, it is extremely important to remain open-minded and creative while shooting. Reducing the art of photography to a checklist of techniques and shots (like the ones listed here) will quickly leave you jaded and your work mediocre.
Ask yourself questions. A lot of the best photos in live event photography are made of the combination of luck and skill. Some photographers visualize the next photo and choose the right settings and lens to create it. What we usually see is a series of photos with one image that illustrates a personal artistic vision better than the others. When you look at a series of photographs, which would you choose? Why is it better than the others? Asking and answering these questions of your own work will define your photographic style.
Make a mental shoot list. Make a list of WHAT to shoot, not HOW to shoot it. This means nothing gets missed and you will have more time to keep an eye out for great photo opportunities and moments. The more prepared you are, the more you can deviate from your list.
Anticipate the moment. Often there are only a few seconds to capture what is happening, so look at all possibilities. Not only for light and composition, but for things to photograph as well. Details can also be im- portant to tell the story of the moment or send the right message
Be prepared. You don’t want to be changing batteries and memory cards when a spontaneous moment is unfolding. If you’re not prepared, the moment will pass you by.
Look ahead. Looking ahead for a great shot about to unfold can ensure a better image. For example: During church news, move to your next position for shooting what is coming up next on stage.
Know the conditions. Knowing location and lighting conditions will help you to pre-visualise the event.
Getting in-focus photographs during worship time can be difficult. To be successful, you need to master the autofocus characteristics of your camera and lenses.
The lighting during sessions can be simultaneously elaborate and low light, wreaking havoc on your camera’s ability to correctly judge focus. Autofocusing errors can lead to completely out-of-focus photos, as well as instances when the camera focuses on something other than you intend (like a microphone stand). Both kinds of focusing issues can be minimized with basic knowledge regarding how your camera decides what to focus on.
In general, cameras focus on the area of highest contrast under the active autofocus point. What they don’t tell you in the manual is that the actual area covered by each of autofocus sensors is much larger than it ap- pears in your viewfinder. Even if you have autofocus pointed directly over the eye of your subject, the camera may still focus on the mic stand if your subject is low in contrast.
Don’t place the head of the microphone in between you and your subject (you also get a covered face). • Focus on a high contrast feature of your subject’s face such as the eyes, eyebrow or hairline.
Use the center autofocus point of your camera (it’s the most accurate).
Aperture, the more open the aperture, the more light the lens lets in, and the shallower the depth of field.
Shutter speed refers to how long the shutter is held open. The lower the slower the shutter speed the sensor can capture light, but also introduces motion blur. A good shutter speed at the Vacaville campus is anything over 1/160
ISO is the light sensitivity of the shutter, the higher the ISO the more grainy noise gets introduced into the image. The lowest ISO you can go without noise, the better.